It is the special province of music to move the heart. -J.S. Bach

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    • Home
    • About Mostly Baroque
      • About Mostly Baroque
      • Listen
      • Interesting instruments
      • Past Performances
    • A Game of Werewolf
      • About
      • The Composer
      • The Cast
    • Press room
    • Contact
    • South FL Classical Review
    • About
  • Home
  • About Mostly Baroque
    • About Mostly Baroque
    • Listen
    • Interesting instruments
    • Past Performances
  • A Game of Werewolf
    • About
    • The Composer
    • The Cast
  • Press room
  • Contact
  • South FL Classical Review
  • About
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Future Performances - January 8 and 10, 2025- sOUTH fLORIDA

The Mostly Baroque Chamber Ensemble

Join Mostly Baroque in two concerts of vocal and instrumental chamber music from the 17th  to the 20th Centuries.  Mostly Baroque will perform two concerts on Jan. 8 and 10th respectively at St. Thomas Episcopal Church 5690 N. Kendall Drive in Coral Gables and St. John's on the Lake Methodist Church, 4670 Pine Tree Drive, Miami Beach.  The programs will feature Mostly Baroque's own Samantha Riling-Lopez in songs by famous 17th century Italian composers as well by 20th century composer Paolo Tosti.  Other works will include the famous Christmas concerto for strings by Arcangelo Corelli as well as the iconic Winter Concerto from the Seasons by Antonio Vivaldi performed by Maestro David Hartman and the strings of Mostly Baroque.  

New York Debut- Jan. 10, 2025, Opera America

The Soliloquy and the Moon: the Artistry of Johan Hartman

  

Mostly Baroque takes great pleasure in presenting Bass-baritone and composer Johan Hartman and collaborating and award-winning Edinburgh-based pianist Ailsa Aitkenhead in their New York City debut performing a program of diverse works for voice and piano on Jan. 10, 2025 at 7:30 PM at Opera America, 330 7th Avenue, NYC, 10001. This exciting new duo made their debut at the 2024 Edinburgh Fringe Festival in two performances which received glowing critical (Excellent Show) as well as rapturous audience reception.  The Fringe Review wrote "Hartman is an exciting new voice on the opera scene, both as a dramatic performer and as a composer." Works to be performed include several selections from Schubert’s Die schöne Müllerin, opera arias by Mozart and Rossini as well as others and the New York debut of Mr. Hartman’s own song cycles, Blood and the Moon (WB Yeats) and Soliloquy of the Spanish Cloister (R Browning).

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